I’d written before about the man who died and left his wife with a garage full of boxes of Mac junk he had collected over the years. I like collecting this old, hard-to-find memorabilia, and found myself the owner of three more boxes of old Mac parts my friends had dropped off, after helping the departed’s wife clear his junk out of their house (evidently she wasn’t as sentimental). I think it’s a cute hobby, getting hardware and software twenty years past its prime humming again, even trying to get it to work with modern computers, like waking up a cryogenically frozen time traveler to the distant and bewildering future after the year 2001.
But there’s a point where all this collecting becomes pathological, and I felt a little sad digging through the deceased’s box of various manuals and peripherals. Well, not the peripherals themselves; they were long gone — I was looking at just their boxes. A box of boxes. Each one neatly preserved, flattened in a display of efficiency and economy of space, oblivious to the sad fact that these things weren’t worth keeping in the first place. What would drive a person to save just the boxes? I thought, fighting back the awareness of the various LEGO boxes squirreled away in the nooks of my apartment.
It seemed to me an inability to separate priceless from worthless; should one ever need to know the uplink speed, the version number, or how to reset some archaic device’s password, that data would be neatly shelved away, on the off-chance of that scrap of cardboard one day becoming invaluable.
Rather than learn what information was important about each device, and in the process separate the signal from the noise, the pack rat simply files it all away: dictated, not read. I believe this is the behavior of a person who prefers to catalog their experiences, rather than allow the ephemera of life to pass through them, and in that way they’re really cataloging their life rather than experiencing it.
Getting these boxes made me take a long look at myself, and raised some difficult questions. Questions like why do I have five modems when I don’t have a phone line? How many SE/30s is enough? And more importantly: how do I get rid of this stuff? And which of these things should I keep?
People who are editing the Watchmen movie, that’s who. I just got off the phone with a rep from Warner Bros. about my Veidt toy ad. He told me that “the editorial staff just loves it”! They liked the tone of it, and it’s sounding more and more like it’ll end up somewhere in the movie, as long as the film isn’t cut too short. I had uploaded a DV version to their media server just the otherday, but the reason for today’s call was they need a higher-quality version. I’m taking this as a very good sign, provided I can get them the ‘quality’ version of the ad. Oh, if only I had shot this on Betacam!
*My apologies to Paul, who is apparently tired of hearing about this.
Thanks to CafePress, I have two new buttons.
I’m sure any geek can guess the first one, but with all those weird comics you read, are you going to tell me you don’t know what the second one means…?
It’s written all over your frontal lobes, love.
Grant Morrison did it when he was 30 and I’m going to try and roll up a new character for myself this fall. According to D20 Modern rules, a character past third level can multiclass, so I’m going to freeze my 5th level Programmer class and start over as a first level Animator. It sucks to be starting over at level one, but I was wasting all those experience points on skills outside my class anyway (Perform: Stand-Up???), so at this point changing classes would just be easier.
So far I’m spending my skill points on Photography, Animation, and Music Theory. And one point in Disable Device, just in case. Below is my character sheet, in case you thought I had already put up the dorkiest thing imaginable on my site.
I knew any exhibit as obtuse as the one I saw at Comic-Con this weekend had to be about The Prisoner! I visited the address on the card I was handed: 70.87.154.219. After staring at an unhelpful splash screen for an awkwardly long time, eventually the site loaded: six screens of 6 x 6 images apiece. All I had to do to unlock their hidden meaning was to click on images with six of something in them. I’m starting to detect a theme here…
Anyway, here are some of the images I found which worked for me.
- six red locks on teal wooden door
- 6 sign on green brick wall
- black stadium seats among red seats
- roulette wheel on 6
- six-fingered hand
- rotary phone face all 6’s
- six stacked stones against blue sky
- digital stock chart
- six diamonds
- Q-bert blocks
Pictures with six things in them, easy enough. This list can also be described as “things they already know at kotaku, io9 or toplessrobot”, but I thought I’d list it here anyway. After you solve this little puzzle, it takes you to a place to enter your email address, then dumps you out on an already available blog following the remake of The Prisoner. The number they gave me is 590875… but I refuse to answer to it.
And thus my viral marketing role is fulfilled. Enjoy!
A couple of friends found more posts about the Watchmen ad winners!
Television Without Pity has a story on the Watchmen ad, along with links to five of their favorites, including my own Ozymandias toy ad! It’s so satisfying to see people picking up on the nuances I put into the video, like the mispronunciation of “Ozymandias” by the disinterested A/V tech in the video’s pre-roll. You may also notice the copyright at the end is in roman numerals, which while not that unusual, is a touch I think Veidt would have insisted on.
The ads also showed up on sci-fi blog io9, which included four of their favorite videos — guess which familiar toy ad makes an appearance? I’m really excited that people like the ad enough to keep posting it. While you’re there, you may want to also check out a Veidt hairspray ad that is so 80s it’s almost unhealthy.
File under: impotent nerd rage, big-time important stuff
I’m sorry to report that “Home Is Where The Hate Is” has been the first lame episode of The Venture Bros.
*DISAPPOINTING SPOILER ALERT*
The hilarious and edgy aside about Sergeant Hatred’s pedophilia problem alluded to in season two was blandly dragged out only in service of a couple of toothless gags. The bomb in Dr. Venture’s back, sure to unravel Sgt. Hatred’s career and also the endgame in The Monarch’s henching plans? Ends in a fizzle. Literally. I was on the edge of my seat waiting to find out what Dr. Girlfriend’s murderous moppets would do once they caught 24 and 21, or what plan the henchman would form to escape the tiny terrors, only to have the episode proper end with them still on the run. Again, no ending. It’s like the writers simply gave up 2/3rds of the way through. You’ll notice even Brock is disinterested in the episode’s proceedings.
I can accept the episodes that are light on action because they usually advance the characters, but this takes two minor footnotes (The Monarch moves into Phantom Limb’s place, Sgt. Hatred runs a by-the-book henching arching of Dr. Venture) and stretches them out into a mediocre 22 minutes. After last week’s episode — or the exceptional, mind-blowing season three opener — I know what the writers are capable of. This isn’t even close.
*END OF DISAPPOINTING SPOILERS, I HOPE*
You can buy a tee-shirt commemorating the worst episode yet of Venture Bros, but why?
Going off what’s being said about the youtube video *UNAIRED* OZYMANDIAS TOY AD!!! 1985, I’m starting to think this toy commercial is a very clever piece of viral marketing… or at least that’s what the folks at Double Viking seem to think.
Maybe the forum posters at rpg.net are right and it’s really a test shoot of the actual ad that got leaked?
I’m not sure what it is, but what I do know is the good people at WatchmenComicMovie.com put it in their top five Veidt product commercials.
They also remind you that voting is still under way for the top five ads — so get watching! Personally, my favorite is that mysterious toy commerical.
Oh, and here’s a link just in case you missed it:
http://www.youtube.com/watch?v=_jeslfkbmcE
After the last week or so you’d think I’m just using timtoon.com as a mirror of Topless Robot or something, but no. I’m just so excited to share the site’s breaking news, Lawrence Kasdan to Write Robotech Movie. And TR is dead-on about what makes Robotech such nerd catnip. It’s not the transforming jets or the giant alien invaders — it’s the love story.
Frankly, Macross is the greatest love story ever told (Lolita is #2). Specifically: Lisa Hayes, the captain of the most powerful spaceship in the Universe, is so infatuated with pilot Rick Hunter she washes his underwear, while Rick chases after 15-year-old Chinese tease and pop star Lynn Minmei, who pines after her cousin Lynn Kyle, who angril throws empty gin bottles at Minmei. Oh, and Kyle is the spitting image of Lisa’s dead fiancé.
The pinnacle of this is episode 28, Reconstruction Blues. You ache for Lisa diligently cleaning up Rick’s apartment on her day off while he’s out getting stood up by Minmei. How can one man be so stupid? Dude, she does your frikkin’ laundry.
*epic facepalm*
My Watchmen ad got a nice mention over at über-nerd site Topless Robot today in Ozymandias Action Figure with Real Bastard Power. If not for the video, check out the comments by some eagle-eyed readers.
Besides oozing self-conscious parody (it’s too low budget and chintzy to be an actual commercial), the whole thing has an early-nineties vibe. And looking past the VHS wear-and-tear effects, it’s obvious it was filmed on low-end DV, probably as a cheap way of adding to the aged look. This reeks of a studio-made viral.
I’m not at all bothered that I got sussed out in about five comments; I’m just happy to be mistaken for studio-made viral marketing!
Recent Comments